Every Saturday morning, movie critic Francesca Rudkin joins Jack Tame to take a look at what is playing at the movies this weekend.
The Guardian Rotten Tomatoes is fighting back against online trolls. The reviews aggregator site announced that it will prevent users from commenting on a film before its release date, after a recent barrage of negative online comments targeting the forthcoming Captain Marvel film. Rotten Tomatoes’ move came as it cited an “uptick in non-constructive input, sometimes bordering on trolling”. Captain Marvel, the widely anticipated 21st instalment in the Marvel Cinematic Universe which stars Brie Larson in the title role, is released in US and UK cinemas on 8 March, but has nonetheless been subject to a flurry of negative reviews posted to the film’s Rotten Tomatoes page over the last few weeks, resulting in its “audience score” plummeting from 96% to 54%. It appears the backlash has been fuelled by Larson’s recent comments about the movie’s press tour, in which she expressed growing concerns about the “overwhelmingly white male” proportion of film journalists she has spoken to over the last few years. In an interview with Marie Claire earlier this year, the actor, who won an Oscar in 2016 for her performance in Room, spoke about utilising her role as the eponymous superhero to campaign for increased diversity in the movie industry
THE PRICE OF EVERYTHING
How did the contemporary art market become so lucrative? In this hilarious and unnerving documentary filmmaker Nathaniel Kahn (My Architect) elicits revealing answers from buyers, sellers, critics and the artists themselves.
An eye-opening and highly entertaining ride through the excesses of the contemporary art market, The Price of Everything loosely tracks the lead-up to a major Sotheby's auction in New York City. This is a world in which visual art “has become a luxury brand,” an acceptable, if not essential part of any self-respecting super-wealthy investor’s portfolio. Works are traded like stocks. There is even a futures market.